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January 2020

		01 Wednesday Die Fledermaus 2020-01-01T19:00:00+01:00 2020-01-01T22:30:00+01:00 Since New Year’s Eve 1900, Die Fledermaus has appeared on the Wiener Staatsoper’s programme at the end of year: a piece of tradition and a musical entertainment theatre classic. “Happy is he who forgets” – so the (Viennese) summary of the operetta goes (incidentally, the only version the Wiener Staatsoper has in its repertoire). The internationally renowned production by Otto Schenk takes the audience on a bumpy ride through all kinds of intrigues, clothing mix-ups and mistaken identities, until we finally reach a rather hung-over happy end. Johann Strauß Johann Strauß Wiener Staatsoper Wiener Staatsoper 19:00 - 22:30 2 intermissions Operetta Die Fledermaus	02 Thursday Hänsel und Gretel 2020-01-02T19:00:00+01:00 2020-01-02T21:15:00+01:00 <p>who hasn’t heard the fairytale about the two little children lost in a wood who get captured by a greedy witch? Engelbert Humperdinck created an opera in a musical imitation of Wagner which is equally suited to children and grownups alike. Fairytale and rich musical language, classic melodies and thrilling compositional skills are combined in this opera in a charming, picturesque production: Hänsel und Gretel is a Christmas classic which never fails to delight.</p> Engelbert Humperdinck Engelbert Humperdinck Wiener Staatsoper Wiener Staatsoper 19:00 - 21:15 1 intermission Opera Hänsel und Gretel	03 Friday Le Corsaire 2020-01-03T19:00:00+01:00 2020-01-03T21:30:00+01:00 <p>Since its very first performance 1856 at the Paris Opera, this work has been regarded as one of the most impressive of the narrative ballets of the 19th century. The work became particularly popular in the versions by Jules Perrot and Marius Petipa and also through Dame Margot Fonteyn and Rudolf Nureyev, who made the so-called „Le Corsaire Pas de deux“ famous throughout the world. At the Wiener Staatsoper the ballet has not been performed till today as a whole. On the basis of this tradition, spanning over 150 years, Manuel Legris has prepared a special version for his ensemble. With scenery and costumes by Luisa Spinatelli, the well-attuned team that was so successful in „Swan Lake“ has again been brought together.</p> Manuel Legris nach Marius Petipa u.a. Manuel Legris nach Marius Petipa u.a. Wiener Staatsoper Wiener Staatsoper 19:00 - 21:30 2 intermissions Ballet Le Corsaire	04 Saturday Die Fledermaus 2020-01-04T19:00:00+01:00 2020-01-04T22:30:00+01:00 Since New Year’s Eve 1900, Die Fledermaus has appeared on the Wiener Staatsoper’s programme at the end of year: a piece of tradition and a musical entertainment theatre classic. “Happy is he who forgets” – so the (Viennese) summary of the operetta goes (incidentally, the only version the Wiener Staatsoper has in its repertoire). The internationally renowned production by Otto Schenk takes the audience on a bumpy ride through all kinds of intrigues, clothing mix-ups and mistaken identities, until we finally reach a rather hung-over happy end. Johann Strauß Johann Strauß Wiener Staatsoper Wiener Staatsoper 19:00 - 22:30 2 intermissions Operetta Die Fledermaus	05 Sunday Hänsel und Gretel 2020-01-05T16:00:00+01:00 2020-01-05T18:15:00+01:00 <p>who hasn’t heard the fairytale about the two little children lost in a wood who get captured by a greedy witch? Engelbert Humperdinck created an opera in a musical imitation of Wagner which is equally suited to children and grownups alike. Fairytale and rich musical language, classic melodies and thrilling compositional skills are combined in this opera in a charming, picturesque production: Hänsel und Gretel is a Christmas classic which never fails to delight.</p> Engelbert Humperdinck Engelbert Humperdinck Wiener Staatsoper Wiener Staatsoper 16:00 - 18:15 1 intermission Opera Hänsel und Gretel
06 Monday Die Fledermaus 2020-01-06T19:00:00+01:00 2020-01-06T22:30:00+01:00 Since New Year’s Eve 1900, Die Fledermaus has appeared on the Wiener Staatsoper’s programme at the end of year: a piece of tradition and a musical entertainment theatre classic. “Happy is he who forgets” – so the (Viennese) summary of the operetta goes (incidentally, the only version the Wiener Staatsoper has in its repertoire). The internationally renowned production by Otto Schenk takes the audience on a bumpy ride through all kinds of intrigues, clothing mix-ups and mistaken identities, until we finally reach a rather hung-over happy end. Johann Strauß Johann Strauß Wiener Staatsoper Wiener Staatsoper 19:00 - 22:30 2 intermissions Operetta Die Fledermaus	07 Tuesday Il barbiere di Siviglia 2020-01-07T19:00:00+01:00 2020-01-07T21:45:00+01:00 <p>Young count Almaviva is courting Rosina, Dr. Bartolo's niece and ward – who nevertheless purposes to marry her himself. So he tries to keep Almaviva away from Rosina and his house. By promises of rich awards, Almaviva however secures Figaro's – the witty local barbers – help, and in varying disguises finally wins her hart and marries her, against all of Bartolo's resistance.</p> Gioachino Rossini Gioachino Rossini Wiener Staatsoper Wiener Staatsoper 19:00 - 21:45 1 intermission Opera Il barbiere di Siviglia	08 Wednesday Onegin 2020-01-08T19:30:00+01:00 2020-01-08T21:45:00+01:00 John Cranko transformed Pushkin‘s verse novel into one of the greatest ballets of the 20th century. This tragic story develops on the basis of Tchaikovsky’s compositions to a great drama about disdained love. John Cranko John Cranko Wiener Staatsoper Wiener Staatsoper 19:30 - 21:45 2 intermissions Ballet Onegin	09 Thursday Lohengrin 2020-01-09T18:00:00+01:00 2020-01-09T22:30:00+01:00 <p>In 1845, Richard Wagner began his conceptual work on Lohengrin, which was to be his sixth complete opera. He took up the medieval tale of the Swan Knight from various old versions, which he changed and simplified for his purpose, as he later did with the Nibelung legend. Stylistically, Lohengrin is a transitional work. Especially regarding instrumentation, Lohengrin marked a big step forward in Wagner's musical development - thus, for the first time in his oeuvre the orchestra carries the action on stage.  </p> <p>In his production, director Andreas Homoki locates the action in the small world of a mountain village in the 19th or early 20th Century - scaled down like a model - to tell the story in a way that speaks to the spectators and relates to their own experience of life here and today. Moreover, Homoki thus places seemingly known things in an unexpected context, in which they seem strange but can be newly recognised and better understood. </p> Richard Wagner Richard Wagner Wiener Staatsoper Wiener Staatsoper 18:00 - 22:30 2 intermissions Opera Lohengrin	10 Friday Il barbiere di Siviglia 2020-01-10T19:00:00+01:00 2020-01-10T21:45:00+01:00 <p>Young count Almaviva is courting Rosina, Dr. Bartolo's niece and ward – who nevertheless purposes to marry her himself. So he tries to keep Almaviva away from Rosina and his house. By promises of rich awards, Almaviva however secures Figaro's – the witty local barbers – help, and in varying disguises finally wins her hart and marries her, against all of Bartolo's resistance.</p> Gioachino Rossini Gioachino Rossini Wiener Staatsoper Wiener Staatsoper 19:00 - 21:45 1 intermission Opera Il barbiere di Siviglia	11 Saturday Kammermusik der Wiener Philharmoniker 5 2020-01-11T11:00:00+01:00 2020-01-11T12:30:00+01:00 Gustav Mahler-Saal Gustav Mahler-Saal 11:00 - 12:30 1 intermission Special Programme Kammermusik der Wiener Philharmoniker 5 Onegin 2020-01-11T19:30:00+01:00 2020-01-11T21:45:00+01:00 John Cranko transformed Pushkin‘s verse novel into one of the greatest ballets of the 20th century. This tragic story develops on the basis of Tchaikovsky’s compositions to a great drama about disdained love. John Cranko John Cranko Wiener Staatsoper Wiener Staatsoper 19:30 - 21:45 2 intermissions Ballet Onegin	12 Sunday Ensemblematinee im Mahler-Saal 4 2020-01-12T11:00:00+01:00 2020-01-12T12:00:00+01:00 Gustav Mahler-Saal Gustav Mahler-Saal 11:00 - 12:00 No intermission Concert Ensemblematinee im Mahler-Saal 4 Lohengrin 2020-01-12T17:00:00+01:00 2020-01-12T21:30:00+01:00 <p>In 1845, Richard Wagner began his conceptual work on Lohengrin, which was to be his sixth complete opera. He took up the medieval tale of the Swan Knight from various old versions, which he changed and simplified for his purpose, as he later did with the Nibelung legend. Stylistically, Lohengrin is a transitional work. Especially regarding instrumentation, Lohengrin marked a big step forward in Wagner's musical development - thus, for the first time in his oeuvre the orchestra carries the action on stage.  </p> <p>In his production, director Andreas Homoki locates the action in the small world of a mountain village in the 19th or early 20th Century - scaled down like a model - to tell the story in a way that speaks to the spectators and relates to their own experience of life here and today. Moreover, Homoki thus places seemingly known things in an unexpected context, in which they seem strange but can be newly recognised and better understood. </p> Richard Wagner Richard Wagner Wiener Staatsoper Wiener Staatsoper 17:00 - 21:30 2 intermissions Opera Lohengrin
13 Monday Onegin 2020-01-13T19:30:00+01:00 2020-01-13T21:45:00+01:00 John Cranko transformed Pushkin‘s verse novel into one of the greatest ballets of the 20th century. This tragic story develops on the basis of Tchaikovsky’s compositions to a great drama about disdained love. John Cranko John Cranko Wiener Staatsoper Wiener Staatsoper 19:30 - 21:45 2 intermissions Ballet Onegin	14 Tuesday Closed 2020-01-14T19:00:00+01:00 2020-01-14T22:00:00+01:00 Wiener Staatsoper Wiener Staatsoper Closed	15 Wednesday Beethoven in Wien 2020-01-15T18:30:00+01:00 2020-01-15T19:30:00+01:00 Agrana Studiobühne \| Walfischgasse Agrana Studiobühne \| Walfischgasse 18:30 No intermission Vortrag von Bertrand Michael Buchmann Special Programme Beethoven in Wien Solistenkonzert Michael Schade \| Malcolm Martineau 2020-01-15T20:00:00+01:00 2020-01-15T22:00:00+01:00 Wiener Staatsoper Wiener Staatsoper 20:00 - 22:00 1 intermission Concert Solistenkonzert Michael Schade \| Malcolm Martineau	16 Thursday Lohengrin 2020-01-16T18:00:00+01:00 2020-01-16T22:30:00+01:00 <p>In 1845, Richard Wagner began his conceptual work on Lohengrin, which was to be his sixth complete opera. He took up the medieval tale of the Swan Knight from various old versions, which he changed and simplified for his purpose, as he later did with the Nibelung legend. Stylistically, Lohengrin is a transitional work. Especially regarding instrumentation, Lohengrin marked a big step forward in Wagner's musical development - thus, for the first time in his oeuvre the orchestra carries the action on stage.  </p> <p>In his production, director Andreas Homoki locates the action in the small world of a mountain village in the 19th or early 20th Century - scaled down like a model - to tell the story in a way that speaks to the spectators and relates to their own experience of life here and today. Moreover, Homoki thus places seemingly known things in an unexpected context, in which they seem strange but can be newly recognised and better understood. </p> Richard Wagner Richard Wagner Wiener Staatsoper Wiener Staatsoper 18:00 - 22:30 2 intermissions Opera Lohengrin	17 Friday Onegin 2020-01-17T19:30:00+01:00 2020-01-17T21:45:00+01:00 John Cranko transformed Pushkin‘s verse novel into one of the greatest ballets of the 20th century. This tragic story develops on the basis of Tchaikovsky’s compositions to a great drama about disdained love. John Cranko John Cranko Wiener Staatsoper Wiener Staatsoper 19:30 - 21:45 2 intermissions Ballet Onegin	18 Saturday Kammermusik der Wiener Philharmoniker 6 2020-01-18T11:00:00+01:00 2020-01-18T12:00:00+01:00 Gustav Mahler-Saal Gustav Mahler-Saal 11:00 - 12:00 No intermission Special Programme Kammermusik der Wiener Philharmoniker 6 La cenerentola 2020-01-18T19:00:00+01:00 2020-01-18T22:00:00+01:00 <p><em>La Cenerentola</em> is based largely on the famous story of Cinderella, above all the version by Charles Perrault. It offers a successful balance of irony, comedy, lyricism, melancholy and fairy tale undertones and appeals equally to adults and young visitors to the opera. For many people, although <em>La Cenerentola</em> was written in very little time, it is the most poetic of all comic Rossini operas. In fact, at the very least in the extremely subtle musical portrayal of the characters, this opera has a singular place amongst the buffo oeuvre. Sven-Eric Bechtolf, director of the current production, has transferred the action to 1950s Italy, or more precisely to a tiny fictitious nation on the Mediterranean called San Sogno, ruled by the slightly eccentric young prince Don Ramiro, who collects expensive cars.</p> Gioachino Rossini Gioachino Rossini Wiener Staatsoper Wiener Staatsoper 19:00 - 22:00 1 intermission Opera La cenerentola	19 Sunday Matinee zur Fidelio Urfassung (Leonore) 2020-01-19T11:00:00+01:00 2020-01-19T12:30:00+01:00 Wiener Staatsoper Wiener Staatsoper 11:00 - 12:30 No intermission Special Programme Matinee zur Fidelio Urfassung (Leonore) Lohengrin 2020-01-19T17:00:00+01:00 2020-01-19T21:30:00+01:00 <p>In 1845, Richard Wagner began his conceptual work on Lohengrin, which was to be his sixth complete opera. He took up the medieval tale of the Swan Knight from various old versions, which he changed and simplified for his purpose, as he later did with the Nibelung legend. Stylistically, Lohengrin is a transitional work. Especially regarding instrumentation, Lohengrin marked a big step forward in Wagner's musical development - thus, for the first time in his oeuvre the orchestra carries the action on stage.  </p> <p>In his production, director Andreas Homoki locates the action in the small world of a mountain village in the 19th or early 20th Century - scaled down like a model - to tell the story in a way that speaks to the spectators and relates to their own experience of life here and today. Moreover, Homoki thus places seemingly known things in an unexpected context, in which they seem strange but can be newly recognised and better understood. </p> Richard Wagner Richard Wagner Wiener Staatsoper Wiener Staatsoper 17:00 - 21:30 2 intermissions Opera Lohengrin
20 Monday Die Musik zu Fidelio 2020-01-20T18:30:00+01:00 2020-01-20T19:30:00+01:00 Agrana Studiobühne \| Walfischgasse Agrana Studiobühne \| Walfischgasse 18:30 No intermission Special Programme Die Musik zu Fidelio Salome 2020-01-20T20:00:00+01:00 2020-01-20T21:45:00+01:00 <p>Salome, the beautiful adolescent princess, falls in love with Jochanaan, a puritanical prophet dungeoned by her stepfather, King Herodes – but Jochanaan disgustedly rejects her advances. As she dances for him, the lascivious king promises her to fulfill whatever wish. Infuriated by Jochanaans refusal, she demands his head from Herodes. With a heavy heart the king meets her request. When Salome grasps the bloody head on a silver tray, Herodes, horrified, orders her to be executed.</p> Richard Strauss Richard Strauss Wiener Staatsoper Wiener Staatsoper 20:00 - 21:45 No intermission Opera Salome	21 Tuesday Closed 2020-01-21T19:00:00+01:00 2020-01-21T22:00:00+01:00 Wiener Staatsoper Wiener Staatsoper Closed	22 Wednesday La cenerentola 2020-01-22T19:00:00+01:00 2020-01-22T22:00:00+01:00 <p><em>La Cenerentola</em> is based largely on the famous story of Cinderella, above all the version by Charles Perrault. It offers a successful balance of irony, comedy, lyricism, melancholy and fairy tale undertones and appeals equally to adults and young visitors to the opera. For many people, although <em>La Cenerentola</em> was written in very little time, it is the most poetic of all comic Rossini operas. In fact, at the very least in the extremely subtle musical portrayal of the characters, this opera has a singular place amongst the buffo oeuvre. Sven-Eric Bechtolf, director of the current production, has transferred the action to 1950s Italy, or more precisely to a tiny fictitious nation on the Mediterranean called San Sogno, ruled by the slightly eccentric young prince Don Ramiro, who collects expensive cars.</p> Gioachino Rossini Gioachino Rossini Wiener Staatsoper Wiener Staatsoper 19:00 - 22:00 1 intermission Opera La cenerentola	23 Thursday Der Karneval der Tiere 2020-01-23T10:30:00+01:00 2020-01-23T11:30:00+01:00 Agrana Studiobühne \| Walfischgasse Agrana Studiobühne \| Walfischgasse 10:30 No intermission Special Programme Der Karneval der Tiere Onegin 2020-01-23T18:30:00+01:00 2020-01-23T20:45:00+01:00 John Cranko transformed Pushkin‘s verse novel into one of the greatest ballets of the 20th century. This tragic story develops on the basis of Tchaikovsky’s compositions to a great drama about disdained love. John Cranko John Cranko Wiener Staatsoper Wiener Staatsoper 18:30 - 20:45 2 intermissions Ballet Onegin	24 Friday Beethoven & Strauss 2020-01-24T18:30:00+01:00 2020-01-24T19:30:00+01:00 Agrana Studiobühne \| Walfischgasse Agrana Studiobühne \| Walfischgasse 18:30 No intermission "Musikalisch-poetischer Inhalt" gegen "tönend bewegte Form" Special Programme Beethoven & Strauss Salome 2020-01-24T20:00:00+01:00 2020-01-24T21:45:00+01:00 <p>Salome, the beautiful adolescent princess, falls in love with Jochanaan, a puritanical prophet dungeoned by her stepfather, King Herodes – but Jochanaan disgustedly rejects her advances. As she dances for him, the lascivious king promises her to fulfill whatever wish. Infuriated by Jochanaans refusal, she demands his head from Herodes. With a heavy heart the king meets her request. When Salome grasps the bloody head on a silver tray, Herodes, horrified, orders her to be executed.</p> Richard Strauss Richard Strauss Wiener Staatsoper Wiener Staatsoper 20:00 - 21:45 No intermission Opera Salome	25 Saturday La cenerentola 2020-01-25T19:00:00+01:00 2020-01-25T22:00:00+01:00 <p><em>La Cenerentola</em> is based largely on the famous story of Cinderella, above all the version by Charles Perrault. It offers a successful balance of irony, comedy, lyricism, melancholy and fairy tale undertones and appeals equally to adults and young visitors to the opera. For many people, although <em>La Cenerentola</em> was written in very little time, it is the most poetic of all comic Rossini operas. In fact, at the very least in the extremely subtle musical portrayal of the characters, this opera has a singular place amongst the buffo oeuvre. Sven-Eric Bechtolf, director of the current production, has transferred the action to 1950s Italy, or more precisely to a tiny fictitious nation on the Mediterranean called San Sogno, ruled by the slightly eccentric young prince Don Ramiro, who collects expensive cars.</p> Gioachino Rossini Gioachino Rossini Wiener Staatsoper Wiener Staatsoper 19:00 - 22:00 1 intermission Opera La cenerentola	26 Sunday Opernarbeit 2020-01-26T11:00:00+01:00 2020-01-26T12:30:00+01:00 11:00 No intermission Buchpräsentation Special Programme Opernarbeit Onegin 2020-01-26T19:00:00+01:00 2020-01-26T21:15:00+01:00 John Cranko transformed Pushkin‘s verse novel into one of the greatest ballets of the 20th century. This tragic story develops on the basis of Tchaikovsky’s compositions to a great drama about disdained love. John Cranko John Cranko Wiener Staatsoper Wiener Staatsoper 19:00 - 21:15 2 intermissions Ballet Onegin
27 Monday Jewels 2020-01-27T19:30:00+01:00 2020-01-27T21:45:00+01:00 <p>First performed on 13 April 1967 in New York, Jewels represents the first full-length “abstract ballet” by George Balanchine. The three parts of the ballet, „Emeralds“ (to music by Gabriel Fauré), „Rubies“ (to music by Igor Stravinsky) and „Diamonds“ (to music by Peter Ilich Tchaikovsky) are loosely connected by the idea of gems or jewels; a meeting with the jeweller Claude Arpels was a significant stimulus to Balanchine to create the work. Through the choice of the different composers, the ballet also forms a kind of geographical retrospective of the life of George Balanchine, who spent periods of time in France, the United States and Russia. Manuel Legris’ time as director is also closely connected with the work: after „Rubies“ (2010/2011) and „Diamonds“ (Pas de deux, 2017/2018), the complete work now appears on the programme as his period of office in Vienna draws to a close.</p> George Balanchine George Balanchine Wiener Staatsoper Wiener Staatsoper 19:30 - 21:45 2 intermissions Ballet Jewels	28 Tuesday Otello 2020-01-28T19:00:00+01:00 2020-01-28T22:00:00+01:00 <p>Verdi remained silent for a good 15 years, and – with the exception of revisions to his older operas – did not publish a single work of musical theatre. But then, in 1887, after an extended period of work, he presented his <em>Otello</em>. Based on Shakespeare’s menacing drama, he created not only one of the most exciting works of opera, but also a profoundly modern one. One that masterfully plays with the emotional states of innocence and love, jealousy, envy and anger. In contrast to other popular Verdi operas, <em>Otello </em>was incorporated into the repertoire of the Vienna Opera almost immediately after its world première in 1888. The Wiener Staatsoper has since put on nearly 500 performances of Verdi’s last opera in seven different productions. This sombre drama has now been given yet another interpretation, this time by stage director Adrian Noble – who has also directed <em>Hansel and Gretel </em>and <em>Alcina</em> at the opera house on the Ring.</p> Giuseppe Verdi Giuseppe Verdi Wiener Staatsoper Wiener Staatsoper 19:00 - 22:00 1 intermission Opera Otello	29 Wednesday Jewels 2020-01-29T19:30:00+01:00 2020-01-29T21:45:00+01:00 <p>First performed on 13 April 1967 in New York, Jewels represents the first full-length “abstract ballet” by George Balanchine. The three parts of the ballet, „Emeralds“ (to music by Gabriel Fauré), „Rubies“ (to music by Igor Stravinsky) and „Diamonds“ (to music by Peter Ilich Tchaikovsky) are loosely connected by the idea of gems or jewels; a meeting with the jeweller Claude Arpels was a significant stimulus to Balanchine to create the work. Through the choice of the different composers, the ballet also forms a kind of geographical retrospective of the life of George Balanchine, who spent periods of time in France, the United States and Russia. Manuel Legris’ time as director is also closely connected with the work: after „Rubies“ (2010/2011) and „Diamonds“ (Pas de deux, 2017/2018), the complete work now appears on the programme as his period of office in Vienna draws to a close.</p> George Balanchine George Balanchine Wiener Staatsoper Wiener Staatsoper 19:30 - 21:45 2 intermissions Ballet Jewels	30 Thursday Rusalka 2020-01-30T19:00:00+01:00 2020-01-30T22:30:00+01:00 <p>The mermaid Rusalka has fallen in love with a human being, a prince, and longs for becoming human and soulful herself. The aquarius answers her pleas under severe conditions: she will loose her voice, and cannot return to her watery realm unless the prince dies. She agrees, they get married - but soon the prince abandons his invariably voiceless wife for a mysterious princess. When he finally searches for her, tormented by remorse, he dies in her deadly embrace.</p> Antonín Dvořák Antonín Dvořák Wiener Staatsoper Wiener Staatsoper 19:00 - 22:30 2 intermissions Opera Rusalka	31 Friday Otello 2020-01-31T19:00:00+01:00 2020-01-31T22:00:00+01:00 <p>Verdi remained silent for a good 15 years, and – with the exception of revisions to his older operas – did not publish a single work of musical theatre. But then, in 1887, after an extended period of work, he presented his <em>Otello</em>. Based on Shakespeare’s menacing drama, he created not only one of the most exciting works of opera, but also a profoundly modern one. One that masterfully plays with the emotional states of innocence and love, jealousy, envy and anger. In contrast to other popular Verdi operas, <em>Otello </em>was incorporated into the repertoire of the Vienna Opera almost immediately after its world première in 1888. The Wiener Staatsoper has since put on nearly 500 performances of Verdi’s last opera in seven different productions. This sombre drama has now been given yet another interpretation, this time by stage director Adrian Noble – who has also directed <em>Hansel and Gretel </em>and <em>Alcina</em> at the opera house on the Ring.</p> Giuseppe Verdi Giuseppe Verdi Wiener Staatsoper Wiener Staatsoper 19:00 - 22:00 1 intermission Opera Otello