Alisha Brach

© Andreas Jakwerth

The American Alisha Brach received her versatile education at the Ballet Repertory Theatre as well as at Dance Theatre of the Southwest in Albuquerque, furthermore at the San Francisco Ballet School (with half scholarship), the University of New Mexico, the American Ballet Theatre Jacqueline Kennedy Onassis School – with Susan Jaffe and Kevin McKenzie – and as a trainee with the Los Angeles Ballet. In addition, she took part in summer intensive programs and masterclasses of the Pacific Northwest Ballet, Jacob’s Pillow dance center, San Francisco Ballet School, American Ballet Theatre in Orange County and the Jillana School in Taos. She gained stage experience with the New Mexico Ballet Company and the New York Choreographic Institute, among others. Engagements took her to the Los Angeles Ballet, Royal Swedish Ballet, Royal Danish Ballet, Ballet de l'Opéra de Paris and recently to the Ballet Nice Méditerranée. Her most important roles include the Queen of the Dryads in Éric Vu-An's »Don Quichotte«, Louisa in August Bournonville's »Pontemolle« as well as soloist roles in Wayne McGregor's »Infra« and »AfteRite«, John Neumeier's »La dame aux camélias« and George Balanchine's »Concerto Barocco« with the Ballet de l'Opéra de Paris. Furthermore, she danced in works by Alexander Ekman, Harald Lander, Pontus Lidberg, Liam Scarlett and Christopher Wheeldon. 
Since the 2022/23 season she has been a member of the corps de ballet of the Vienna State Ballet. Her repertoire includes, among others, one of the three Dryads in Rudolf Nureyevʼs »Don Quixote«, Noblewoman in Nureyevʼs »Swan Lake« as well as roles in Martin Schläpfer's »The Sleeping Beauty« and »The Seasons«, Frederick Ashton's »La Fille mal gardée«, George Balanchine's »Symphony in C« and »Brahms-Schoenberg Quartet«, Heinz Spoerliʼs »Goldberg Variations«, Elena Tchernichovaʼs »Giselle«, Hans van Manenʼs »Concertante«, Michel Fokineʼs »Les Sylphides«, Uwe Scholzʼ »Jeunehomme« and John Neumeierʼs »Lady of the Camellias«.

Performances with Alisha Brach

Saison 2024-25
Sat
03 May
19:00—21:45
George Balanchine, Merce Cunningham, Martin Schläpfer
Ballett Main Stage
Pathétique

Cast on Saturday 3. May 2025

Divertimento Nr. 15

Musikalische Leitung

Musik

Wolfgang Amadeus Mozart

Choreographie

Kostüme

Einstudierung

Summerspace

Musik

Morton Feldman

Choreographie

Bühne, Kostüme & Licht

Lichteinrichtung

Davison Scandrett

Einstudierung

Pathétique

Tänzerinnen & Tänzer

Wiener Staatsballett

Musikalische Leitung

Musik

Piotr I. Tschaikowski

Georg Friedrich Händel

Choreographie

U27 Ö1 BT-Card
Sun
11 May
19:00—21:45
George Balanchine, Merce Cunningham, Martin Schläpfer
Ballett Main Stage
Pathétique

Cast on Sunday 11. May 2025

Divertimento Nr. 15

Musikalische Leitung

Musik

Wolfgang Amadeus Mozart

Choreographie

Kostüme

Einstudierung

Summerspace

Musik

Morton Feldman

Choreographie

Bühne, Kostüme & Licht

Lichteinrichtung

Davison Scandrett

Einstudierung

Pathétique

Tänzerinnen & Tänzer

Wiener Staatsballett

Musikalische Leitung

Musik

Piotr I. Tschaikowski

Georg Friedrich Händel

Choreographie

Ö1 U27
Abo 24

Ticket information

Saison 2024/2025

Einen Wochentag und Lieblingsplätze wählen und fünf Vorstellungen in einer Saison genießen.

In diesem Abo sind folgende Vorstellungen enthalten:

20. Oktober 2024: COSÌ FAN TUTTE
17. November 2024: MANON
26. Jänner 2025: LA BOHÈME
23. Februar 2025: FIDELIO
11. Mai 2025: BALLETT: PATHÉTIQUE