Adele Fiocchi

© Andreas Jakwerth

The Italian Adele Fiocchi was educated at the Scuola di Ballo del Teatro alla Scala, where she studied mainly under Bella Ratschinskaia and Paola Vismara. In 2014 she became a member of the Vienna State Ballet, in 2017 she was appointed demi-soloist.

Her repertoire comprises Gefährtin des Prinzen, Big swan and Noble lady  in Rudolf Nureyev’s »Swan Lake«, Drei Dryaden in Nureyev’s »Don Quixote«, Solo-Schneeflocke and Pastorale in Nureyev’s »The Nutcracker«, Clémence and Grand Pas classique hongrois in Nureyev’s »Raymonda«, Moyna in Elena Tschernischova’s »Giselle«, Odaliske and Walzer-Solistin in Manuel Legris’ »Le Corsaire«, Lises Freundin in Frederick Ashton’s »La Fille mal gardée«, Lilienmädchen in John Cranko’s, »Romeo and Juliet«, Erzherzogin Gisela in Kenneth MacMillan’s »Mayerling«, Swanildas Freundin in Pierre Lacotte’s »Coppélia«, eine Jägerin in Manuel Legris’ »Sylvia«, Pas des Odalisques from Marius Petipa’s »Le Corsaire«, Grand Pas Classique from Victor Gsovsky, Diamant in Rudolf Nureyev’s »The Sleeping Beauty« (excerpt), Solo-Schatten in Nureyev’s »La Bayadère«,and roles in John Neumeier’s »Verklungene Feste«, »Josephs Legende«, »Le Pavillon d’Armide« and »Le Sacre«, Jerome Robbins’ »The Four Seasons«, George Balanchine’s »Symphonie in C«, »Thema und Variationen«, »Valse Fantaisie« and »Jewels«, Daniel Proietto’s »Blanc«, Eno Peci’s »Petruschka«, András Lukács’ »Movements to Stravinsky«, Manuel Legris’ »Sylvia«, William Forsythe’s »Artifact Suite« and Kenneth MacMillan’s and Lucinda Child's »Concerto«.

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