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Extras

This matinee provides interesting background information and insights into a new production. Usually one week before a premiere, we introduce the programme and its artists in a panel discussion in German language.

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Daily training is the basis of all dance. It is practice and more: »exercitium« in the true sense of the word. It trains the dancer – makes him grow in body and mind. The schools and techniques for the daily class are diverse. Martin Schläpfer is not only one of the most important choreographers of his generation, but he is also an important ballet teacher who – based on classical dance technique – has developed his own way of training. In our series Tanzpodium we will discuss methods and the importance of training for artistic processes and will explain different techniques using various examples.

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How does a dance maker find his movements? How does he communicate them to his dancers? How are historical works restaged? What are the thoughts behind a ballet? What role does the music play?

In the ballet workshop for the premiere of Promethean Fire, ballet director Martin Schläpfer and the New York repetiteurs Richard Chen See and Meghan Williams, who are responsible for restaging the works by Paul Taylor and Mark Morris, together with the dancers of the Vienna State Ballet provide insights into the ballet program with live rehearsal excerpts.

In conversations with the artists involved, you will learn interesting facts about the works.

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Under its title Ballet for the 21st Century, the Tanzpodium brings together various Viennese dance makers and journalists in a panel discussion in German language.

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This soiree provides interesting background information and insights into a new production. Usually one week before a premiere, we introduce the programme and its artists in a panel discussion.

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With a weekly Open Class the Vienna State Ballet offers professional dancers, dance teachers, and students as well as advanced amateurs (age 14 and above) the opportunity to take part in a top-class ballet training. Led by Martin Schläpfer, Louisa Rachedi, Samuel Colombet, and other members of the Vienna State Ballet the classical training takes place to live piano accompaniment.

Showers and changing rooms are available. Please come in comfortable clothing, slippers or socks and bring your own water bottle.

Due to the mixing of artists of the house with external persons and in order to continue to secure the work in our theatre, we ask for your understanding that the Covid-19 safety requirements still apply and must be complied with as follows: proof must be presented that you are fully vaccinated or recovered. In addition you also need to provide a PCR test (48 h), which must be valid for the entire duration of the training (date and time of test acceptance apply). During practice and outside the ballet studio, wearing an FFP2 mask is mandatory.

The number of participants is limited to a maximum of 15 people.

When: starting from 10 September, every Saturday (except on public holidays and during the summer break).

Entrance: 3.30 pm, Start: 4 pm

Duration: 90 minutes

Fee: € 20 per class

Where: Ballettakademie der Wiener Staatsoper, Nurejew-Saal, Hanuschhof 3, 1010 Wien

 

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The cooperation with the Viennese cinemas Filmcasino and Filmhaus, which started with great success in the 2021/22 season, will also accompany the program of the Vienna State Ballet in 2022/23 with interesting documentaries and a feature film. Four matinees with subsequent audience discussion are planned:

 

Filmcasino

Sunday, 6 November 2022, 1 pm

In Balanchine’s Classroom

Connie Hochman / US 2020 / 88 mins / English

Filmcasino

Sunday, 5 February 2023, 1 pm

Paul Taylor. Dancemaker

Matthew Diamond / US 1998 / 98 min / English

Filmhaus

Sunday, 12 March 2023, 1 pm

On the occasion of Rudolf Nureyev´s 85th birthday

Nurejew. The White Crow

Ralph Fiennes / UK 2018 / 122 mins / Original with subtitles

Filmcasino

Sunday, 23 April 2023, 1 pm

Mister Gaga. Der Choreograph Ohad Naharin

Tomer Heymann / IL, SE, D, NL 2015 /100 mins / Original with subtitles

Further information will follow promptly here.