Solistenkon­zert Elisabeth Kulman - La femme c'est moi

→ Von zärtlicher Liebe bis zu leidenschaftlichen Mordgelüsten

Multi-Genre Music Show

Cast 17.09.2019

Idee und Konzept Elisabeth Kulman
Arrangements Tscho Theissing
Gesang Elisabeth Kulman
Violine Aliosha Biz
Viola Clara Schwaiger
Cello Franz Bartolomey
Kontrabass Herbert Mayr
Klarinetten und Saxophon Gerald Preinfalk
Akkordeon Maria Reiter
Piano Eduard Kutrowatz


Out of the drawer and into the open! In her multi-genre music show LA FEMME C’EST MOI celebrated opera singer Elisabeth Kulman relishes the opportunity to break through the limits of classical music, thereby presenting the multi-layered diversity of her skills.

The best of opera and classical song, subtly combined with hits from The Beatles or Michael Jackson, performed by one of the leading singer personalities of our time.

From tender love to passion for murder – Elisabeth Kulman is no stranger to the emotional depths of the human soul. With her musical show “La femme c’est moi” she takes the audience on a fantastic rollercoaster ride, covering the entire spectrum of human emotion with her masterful intuition and distinctive sense of humour. Elisabeth Kulman lends her enticing voice to the broadest range of female icons, such as Bizet’s Carmen, Saint-Saëns’ Dalila, Mozart’s Pamina, Brecht/Weill’s Pirate Jenny, Cole Porter’s Kate whilst always remaining her unique self – from Schubert right up to the Beatles.

“In ‘La femme c’est moi’ I take the liberty to juxtapose realms that one couldn’t possibly imagine belonging together: Franz Schubert and Michael Jackson? Richard Strauss and The Beatles? Fricka, Erda and Brunnhilda in one person? Or even a female torero? Tried imagining that?” Elisabeth Kulman asks in the introduction of the programme. “Once you’ve heard the arrangements of Tscho Theissing, you won’t want to imagine them any differently! To achieve this, I gathered together the best musicians – members of the Vienna Philharmonic Orchestra, international soloists and jazz greats. Come and join us, be seduced and uplifted, then let us bring you back to earth, together let’s descend into the depths of emotional possibility and then find our balance again! We wish you a memorable evening, and would be delighted to share with you all the fun that we have on stage!”

Her spectacular decision to turn her back on the opera business is now yielding a unique opportunity to admire not only the fascinating voice of one of the leading singers and artistic personalities of our time but also to be enchanted by her dramatic expressive range, in close quarters.



Ah, je t'aime ...
Tscho Theissing: Prélude “La femme c’est moi”
Camille Saint-Saens: Mon coeur s’ouvre à ta voix (Arie der Dalila aus “Samson et Dalila”)
Cole Porter: I hate men (Lied der Kate aus “Kiss me, Kate”)

What … is … love ...?
Georges Bizet: L’amour est un oiseau rebelle (Habanera der Carmen aus “Carmen”)
Harry Warren: That’s amore (Dean Martin)
Benjamin Britten: Tell me the truth about love (aus den “Cabaret Songs”)

Cupid's Arrows – Amors Pfeile
Andrew Lloyd Webber: I don’t know how to love him (Lied der Maria Magdalena aus “Jesus Christ Superstar”)
Franz Schubert: Gretchen am Spinnrade
Tom Bahler: He’s out of my life (Michael Jackson)
Rezső Seress: Szomoú vasárnap (Gloomy Sunday)
W.A. Mozart: Ach, ich fühl’s (Arie der Pamina aus “Die Zauberflöte”)
Franz Schubert: Der Tod und das Mädchen

With a Smile in Your Heart – Mit einem Lächeln tief drinnen
Richard Strauss: Die Zeit, die ist ein sonderbar Ding … Kann mich auch an ein Mädel erinnern … (Monolog der Marschallin aus “Der Rosenkavalier”)
Lennon-McCartney: When I’m sixty-four (The Beatles)




Richard Wagner: Walküren-Ritt aus “Die Walküre”
W.A. Mozart: Der H.lle Rache kocht in meinem Herzen (Arie der Königin der Nacht aus “Die Zauberflöte”)
Richard Wagner: So ist es denn aus mit den ewigen G.ttern (Szene der Fricka aus“Die Walküre”) sowie Ausschnitte aus “Tannh.user”, “Das Rheingold” und „Die Walküre“
Georges Bizet: Votre toast ( Escamillos Torero-Lied aus “Carmen”)


Ludwig van Beethoven: O Freunde, nicht diese Töne (Bass-Solo aus der Sinfonie Nr. 9)
Franz Schubert: Erlkönig
Leonard Bernstein: Somewhere (Song aus „West Side Story“)
Kurt Weill: Pirate Jenny (Pollys Lied aus “Die Dreigroschenoper“)

Miss Saleboli

Giuseppe Verdi: O don fatale (Rezitativ der Eboli aus “Don Carlo”)
Cole Porter: Miss Otis regrets
Richard Strauss: Schleiertanz und Zitate aus “Salome”
Charles Dumont: Non, je ne regrette rien (Edith Piaf)