Stanislas de Barbeyrac
Stanislas de Barbeyrac studied at the Conservatoire de Bordeaux. He has been a prize-winner at several prestigious competitions. One of the most exciting and in demand artists today, he came to international attention in in 2014 when he sang his first Tamino in Die Zauberflöte at Aix-en-Provence Festival. A complex and compelling musician and actor, he has been in constant demand on the world’s most important opera stages such as Opéra National de Paris, Royal Opera House, Covent Garden, Metropolitan Opera, Bayerische Staatsoper Munich, Dutch National Opera, Teatro Real Madrid, Grand Théâtre de Genève, San Francisco Opera, and at the Aix-en-Provence and Salzburg Festivals.
A vehicle for de Barbeyrac in the 2021/22 season is the title role in Pelléas et Mélisande which he sings at Gran Teatre del Liceu and Théâtre de Champs-Elysées as well as in concert in Cologne and Compiegne, France. Highlights of the last season include Tamino and the title role in La clemenza di Tito, both at the Opéra National de Paris and Don José in Carmen at the Opéra de Bordeaux. De Barbeyrac also received invitations to sing Pylade in Iphigenie en Tauride at the Opéra National de Paris; Pelléas in Bordeaux and Tamino at the Metropolitan Opera New York. Further engagements include Max in Der Freischütz at Théâtre de Champs-Elysées in Paris, Barbican Centre in London, and Opéra de Rouen; Alfredo in La traviata at Semperoper Dresden and in Saint Etienne; Macduff in Macbeth at Opéra de Marseille and Lenski in Eugene Onegin at Théâtre du Châtelet. De Barberyac debuted as Don Ottavio in Don Giovanni at the Drottningholms Slottsteater and has since performed it at San Francisco Opera, Metropolitan Opera, Bayerische Staatsoper and in a new production at Opéra National de Paris. At the Wiener Staatsoper he sang Renaud in Armide.